Theater Archives, too

________________________________________________________________________________________________________________________________________________________________

_______________________________________________________________________________________________________

________________________________________________________________________________________________________

_______________________________________________________________________________________________________

Uncle Vanya at Kennedy Center

by Barbara Twigg

While even the name of Chekhov's 1897 "Uncle Vanya," sounds a little dowdy, too Russian, and old-fashioned, the sparkling, updated version brought to life by the Sydney Theatre Company is a serio-comic romp through the big themes of living: boredom, old-age, unrequited love, lust, envy, and wasted potential. The play is surprisingly funny, even featuring some physical comedy from its fine direction. It felt quite contemporary, right down to its ecological theme about the disappearing Russian forest -- more like Tennessee Williams, in a light vein, with vodka. Great performances from all, without strong Aussie accents. Seeing fair, luminous Cate Blanchett in a tight red dress and heels is worth the price of the ticket.

SYNOPSIS: From Sydney Theatre Company--the team that brought 2009's smash hit production of A Streetcar Named Desire--comes an exclusive U.S. engagement of Anton Chekhov's Uncle Vanya, another tale of high drama in low society. On a dilapidated, remote farm Uncle Vanya (Richard Roxburgh) and his niece Sonya (Hayley McElhinney) have worked slavishly for years to sustain an estate in decline. Now Professor Serebryakov (John Bell) and his wife Yelena (Cate Blanchett) have returned to visit, bringing with them chaos and disruption. Constant visits from the charismatic Astrov (Hugo Weaving) are not helpful. Lunch is no longer served at lunch time--now it is procrastinated until dusk--work is forgotten and the long, cool nights have become sleepless. From this hotbed of disarray grow three consuming love affairs, each of which is destined to wither in disappointment before it has reached bloom. It is in this climate of frustration and thwarted hopes that the Professor chooses to announce a shocking plan. (Kennedy Center description) Runs through August 27.

_______________________________________________________________________________________________________

War Horse ...a horse of a different color

by Barbara Twigg

The Tony Award-winning, London import, "War Horse", now playing an unlimited run at Lincoln Center in New York, is a powerfully moving theatrical experience. It follows the story of a British teenager who raises a beloved horse that his father sells to the military in World War I, and the son's struggle to find him on the battlefields of France. The life-size creations of the horses, manipulated with incredible verisimilitude by three visible people, are nothing short of remarkable. The play is a work of art that highlights the horrors of war through the suffering of horses that are fully realized and unforgettable characters. I can't think when I have been so emotionally absorbed by a play.

____________________________________________________________________________________

MORE FRINGE REVIEWS

by Rich Massabny

“Hamlet: Reframed”

July 18, 2011 --Closing tonight as part of Deecee’s Fringe Festival is “Hamlet: Reframed” by the Grain of Sand Theatre Company. Located at Fort Fringe at 607 New York Ave. NW at 10:15 p.m. tonight, it’s well worth the trip to see the mad Hamlet performed outstandingly by Sam Rabinovitz. Director Carl Brandt Long dresses the large cast in today’s clothes with cell phones and all. There’s a pretty nifty and large cast of players surrounding Prince Hamlet. One of my favorite local actors, Jay Tilley, makes his usual commanding presence playing Polonius, the father of Laertes (Jesse Baskin) and the lovely Ophelia (Kristin Rogers). Hamlet’s mother, Gertrude, is played quietly by Sara Bickler. Hey, the mom and son can’t both be crazy! This Hamlet production has a twist with a cute redhead, Kelsey Meiklejohn as Rosencrantz and Jack Powers as Guildenstern. This 90 minute production flew by in the intimate black box theatre. Don’t miss the last performance tonight at 10:15, if possible. I liked this version. This “Hamlet: Reframed” should bundle up the cast and set up shop elsewhere after Fringe. For information and tickets for tonight, call 866-811-4111 and check the website at www.grainofsandtheatre.com.

Faction of Fools: “Tales of Courage and Poultry”

July 12, 2011 --Matt R. Wilson, the artistic director of Faction of Fools, is the area’s only theatre of Italy’s Commedia dell’Arte. It involves theatre of movement, classic characters and especially, masks. Currently playing through July 23, you can get a good example of this comedy genius in “Tales of Courage and Poultry” as part of the Fringe Festival. The flock holds court at 900 Massachusetts Ave. in the District. Call 1-866-811-4111 for tickets. Check the website at www.factionoffools.org.

John Feffer's "The Bird"

I saw John Feffer’s Fringe show last year called, “Edible Rex” and realized this guy is a big talent. This year he’s doing, “The Bird,” a true story, about his adventures as a young man in 1989 in Poland. In a 90 minute, no-intermission show, Feffer weaves stories like no other, about a love affair gone bad. He refers to her as a female assassin. “The Bird” centers around this theme. In 13 scenes, Feffer mesmerizes the Goethe Institute’s (812 – 7th St. NW, D.C.) audience with humor and a look at other cultures. Feffer and “The Bird” is not to be missed! Tickets and information at 1-866-811-4111 or check the website at www.CapitalFringe.org.

The Rude Mechanicals - “Trojan Women 2.0”

As part of the Fringe Festival, the inventive theatrical ensemble, The Rude Mechanicals, under the artistic direction by Jaki Demarest, is presenting, “Trojan Women 2.0.” With a large cast of female prisoners from the Trojan War with heavy despair in the air, we get a sense of the results of rape, torture and more. This play takes place at The Studio Theatre through July 23. Armed guards will greet you. For details check the website at www.rudemechnicals.com or for tickets, call 1-866-811-4111.

Washington Shakespeare Company “Hotel F- - -”

The long-established Washington Shakespeare Company (WSC) has outdone itself with a play called, “Hotel F - - - .” As part of the Fringe Festival they are performing a no-holes barred craziness through July 16 at Fort Fringe at 607 New York Ave. in the District. Go see this hilarious X-rated romp. Check the website at www.WashingtonShakespeare.org or call 703-418-4808.

Scroll down for additional reviews by other writers.

____________________________________________________________________________________

BEAT THE HEAT AT CAPITAL FRINGE

TICKET PRICES ARE BEING SLASHED

TICKETS - $12 - STARTING AT 10:00 A.M. ON FRIDAY, JULY 22

WASHINGTON--To coincide with the hot weekend ahead, The Capital Fringe Festival is offering a hot deal on tickets. Starting at 10:00 a.m. on Friday, July 22, 2011 - single tickets will only be $12 - a $5 savings from the usual ticket price. Tickets will be available online, at the box office and in person at all venues. But, wait - there's more . . . another "Beat the Heat" special - water and Vitamin Water will be free to ticketed patrons at the Baldacchino Gypsy Tent Bar as long at the temp is over 100 degrees

______________________________________________________________________________________________________

______________________________________________________________________________________________________

Hothouse heats up H Street with great entertainment for July!

All productions will be Pay-What-You-Can performances, beginning at 7:30 (box office will open at 6:45 for PWYC purchases).

All performances are at the

H Street Playhouse

1365 H Street NE

Washington, DC

July 25

The Apron

The Continuing Adventures of John Blade, Super Spy

by Kyle Encinas

An action play that asks that ever-pressing question: What if the henchman actually did kill the superhero?

July 26

Theater Alliance

A Special Theater Evening ... watch this space!

July 27

Love from the Soundstage

I Just Want to Sing

by Dennis Williams

A young girl from Washington, D.C. in pursuit of a singing career has her dreams shattered by those around her. After being rejected by her peers, mother and from several auditions because of her appearance, a man comes along and opens a door of opportunity. Overlooking the outer appearance he turns a diamond in the rough into a star. With a real life story that will make you laugh and cry all in one production, this story will uplift and encourage anyone in troubled times.

https://www.vendini.com/ticket-software.html?e=49687ee68dae72d6f0070af5711b5c9e&t=tix

____________________________________________________________________________________________

MY NAME IS PABLO PICASSO

by Cary Pollak

The title “My Name is Pablo Picasso” leads one to expect that the audience will be treated to a one hour overview of the life of the artist. That expectation is met, but in an unexpected and creative way. The play covers only one part of one day in the Paris studio of the struggling young artist, which is one reason why it is a surprise when a character appears out of nowhere to inform the artist and the rest of us of what is to come.

When the lights first come on, Picasso’s beautiful young model and lover, Fernande (Julia Albertson), is posing nude and statue-like while the artist is facing us from behind an easel. This is an attention grabber to be sure, but not a shocking one. The actress evokes sympathy more than sexuality, because she makes us feel how uncomfortable she is in her awkward pose. She is totally comfortable, however, in her role and is a believable character throughout the performance.

Arden Moscati, as Picasso, is an appropriately handsome man with a voice that must have led him inexorably to the stage. It is no surprise to learn from the program that he already has been hired to do voiceovers. He portrays the passion and ambition of the youthful Picasso in a convincing way. The petulant and demanding side of the artist in this play is a little more difficult to accept. Could Fernande and countless other lovers, as well as Paris society, truly have been captivated by a man of so little charm? Moscati‘s otherwise decent portrayal is marred by his failure to pull off a Spanish accent. He sounds more like Steve Martin playing one of Two Wild and Crazy Guys on Saturday Night Live, than he does like a Spaniard who has become conversant in a foreign tongue.

Michael Bernosky‘s appearance on stage is preceded by an insistent knocking on the door that the artist tries in vain to ignore. An important and forceful character is about to enter and Bernosky does not disappoint once he arrives. Throughout the play Picasso’s famous painting, “Les Demoiselles d’Avignon” has been on display at the rear of the stage, but he has no idea that this and other works will soon bring him fame and fortune. Bernosky’s mysterious character fills the skeptical couple in on what the future holds, both good and bad. Along the way, we observers are treated to a good bit of information about Picasso’s life beyond that day. “My Name is Pablo Picasso,” is the kind of theater that makes us glad that the Fringe Festival has come to town.

_____________________________________________________________________________________________

But Love is My Middle Name!

by Donna Christenson

If you missed the Fringe Festival performances of But Love is My Middle Name!, the captivating one-woman show by Emily Love Morrison, be sure to check out her website and look for her elsewhere! One might expect a “journey of her search for love” to be a sad tale, but Morrison uses her considerable talents to make it a voyage of delight. With a clever interweaving of monologue and music, both her own original songs and those of an eclectic mix of others, Morrison offers insightful storytelling and wry humor.

The talented Bradley Foster Smith supports her on keyboard, as well as evoking a range of different men who pass through her life.

Website: www.emilylovemorrison.com

_____________________________________________________________________________________________

Actors Mark Jennings (L) and Paul Laudiero (photo credit: Patrick Magill)

Pun: (n) A Play on Words Premieres in the Capital Fringe Festival July 7 - 24

Five Keywords Walk into a Bar …. What Will Happen Next?

About Pun: (n) A Play on Words

Five of the dictionary's keywords revel in their superior status -- until a dark prophesy warns that their power trip will soon come to an end. A new word has been added to the English language, threatening to disrupt the entire order of the dictionary. Can this ragtag bunch of keywords find a way to stay on top of the page? Find out in this hilarious comedy, which features a cackling ensemble, smartly sparkling humor, and yes, word play.

About Blacktop Theatre Company

Blacktop Theatre Company bursts into the DC Theatre scene with its premiere of Pun. Comprised of five graduates of the George Mason University Theatre department, its members have collaborated with theatres both locally (including Woolly Mammoth, Studio Theatre, Signature Theatre, No Rules Theatre Company and Constellation Theatre Company) and regionally (such as LCT3-Lincoln Center, Seattle Repertory Theatre, and New York Theatre Workshop).

Blacktop creates theatre that is akin to an open blacktop—a place where rules are ever-changing to fit the game being played…where chalk boundaries are as easy to create as they are to erase. Already, the theatre has done this through various “outside of the box” events, such as the well-received “1^st Annual Blacktop Theatre Company Spelling Bee,” an evening co-hosted with The Keegan Theatre.

Founded by Patrick Magill and Aaron Fisher, the company is rounded out by Andrew Hawkins, Christy Denny and Kelly Hennessy.

About Capital Fringe

Capital Fringe is a nonprofit organization founded in the summer of 2005 with the purpose of infusing energy into performing arts in the Washington, DC region through our yearly Fringe Festival and year-round Fringe Training Factory. Our mission is to connect exploratory artists with adventurous audiences by creating outlets and spaces for creative, cutting-edge, and contemporary performance in the District. Capital Fringe’s vital programs ensure the growth and continued health of the local and regional performing arts community by helping artists become independent producers while stimulating the vibrant cultural landscape in our city.

Capital Fringe is supported by the DC Commission on the Arts and Humanities, the Morris & Gwendolyn Cafritz Foundation, Corina Higginson Trust, Mid-Atlantic Arts Foundation, Weissburg Foundation, Dreyfus Foundation, PEPCO Holdings, MARPAT, Washington Post Company, PNC Bank, WAMU as well as invaluable support from our Fringe Family of Donors.

______________________________________________________________________________________________________

_______________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________

Karen's FYI:TheatreOpps Beginning TONIGHT 7/7/11

Greetings, all. Of course the big theatre rush this week is the opening of the Capital Fringe Festival (Thur. eve), which matured well during its previous five years. Each year the portion of shows worthy of theatre afficionados (or other smart folks) seems to increase, with some truly terrific shows, many of which are presented here in development for “legitimate” theatre. Last year’s Fringe hit SUPER CLAUDIO BROS. was picked up by Dreamworks Theatrical and is being developed for Broadway. Mercifully, the portion of “attention me, attention me” cheap-therapy-substitutes seems to decrease (though they’re inevitable in a non-juried festival). Or maybe I’m just getting better at picking. NO, please don’t ask me which! I will post Fringe Finds as I find ‘em.

However, if you have inside info about particularly notable shows/ casts/ credentials, please send it. But DON’T mistake that for an invitation to flack your own show. Believe me, I’ve received all your press releases ... in duplicate, triplicate, even duodeclicate. If you’re not savvy enough to include such info in your releases (or refrain from inundating us press folks with more than 3 well-timed releases), I probably won’t want to see your show. Sound harsh? With over 100 entries during 2.5 weeks Tues-Sun at 19 venues, it’s survival. http://www.capitalfringe.org/

NON-FRINGE opps abound as well, including an exclusive comps offer just for my readers for Quotidian’s CHERRY ORCHARD, with the superb James Flanagan, who has exceptional ability to make empathetic even the most repelling characters. But please be certain you will attend before requesting these comps. Especially in a small theatre, revenue from every seat is important.

If Arena’s OKLAHOMA! remount is out of your price range, revisit the R&H film free next week. Free events also at the HIP-HOP THEATER FESTIVAL 7/11-16. Plus muuuuuch more below.

WARNING: Whatever you decide to do downtown, AVOID driving in the Verizon Center - Chinatown area, and allot extra Metro time. The Dalai Lama and thousands of Buddhist monks and followers from around the globe are inhabiting it for the next 11 days.

IMPORTANT NOTE – This column is purposefully separated into two distinct sections. (A.) This above-the-line intro section contains my editorial opinion, background info, etc. (B.) Below-the-line NUMBERED section consists of LISTINGS ONLY. The info is obtained from other sources, and does not necessarily reflect my opinion. BEING LISTED below does NOT imply endorsement. Just listing what’s out there, for you to explore ... or not.

Happy theatre-ing. Karen Shod

--- --- --- --- --- --- --- --- --- --- --- ---

#1 of 8: TONIGHT Thur.7/7 @ 6:30, $20/$8 mbrs/free Patron/Circle mbrs, Staged Reading: SIX DEGREES OF SEPARATION, by John Guare. At The Phillips Collection, 1600 21st St NW (@ Q). [NOTE: Another event there that night requires paying admission to the Museum. Phone Phillips to determine whether museum admission is included in this ticket: 202-387-2151.] Registration required. No refunds for cancelled ticket purchases. http://phillipscollection.obsres.com/SelectDate.aspx.

STC's Associate Director Alan Paul directs Rick Foucheux, Naomi Jacobson and Lawrence Redmond in award-winning play. Read Alan's post on the Phillips blog. In conjunction w Kandinsky and the Harmony of Silence: Painting with White Border exhibit.

--------------------------------------

#2 of 8: Thur.7/7 @ 8:00, PWYC Previews. PLUS Wed.7/13 @ 8:00 special PWYC: VISIT TO A SMALL PLANET, by Gore Vidal. American Century Theater. At Gunston Theater Two, 2700 South Lang St., Arlington, VA 22206. Wheelchair accessible, free parking. www.americancentury.org. Runs 7/8 – 8/6; Thur-Sat @8, Sat/Sun @ 2:30; no mat Sat 7/9

A summer afternoon in 1957, a typical American family in Manassas, VA suddenly hears a thump in the rose bushes. They encounter a rather friendly man simply looking to join the Battle of Bull Run. A hundred years too late, this mysterious alien named Kreton talks to the cat, reads minds, and secretly plots to take over the world.

Rip Claassen directs Bruce Rauscher as Kreton, Noah Bird, Kecia A. Campbell, Kelly Cronenberg, Megan Graves, Brendan Haley, Peter Johnson, Steve Lebens, Tamra Testerman and John Tweel. Minnow Cronenberg plays Rosemary the Cat.

--------------------------------------

#3 of 8: Fri-Sat.7/8+9 @ 8:00 & Sun.7/10 @ 2:00, Exclusive opening wkend limited comps w Code [reg.$25/20]: THE CHERRY ORCHARD, by Anton Chekhov. Quotidian Theatre. At the Writer’s Center, 4508 Walsh St, Downtown Bethesda. Limited comps for my readers this opening weekend only w Code: KAREN’S FYI: 301-816-1023 or quotidiantheatre@comcast.net; specify date and number in your party. www.quotidiantheatre.org Runs 7/8 – 8/7, Fri-Sat.@ 8, Sun.@ 2, PLUS mat. Sat.8/6 @ 2.

Chekhov’s final play examines love, loss, and societal changes in early 20th Century Russia in a masterful blend of comic and tragic themes. This production is set in 1912, translated, adapted, directed by artistic dir. Jack Sbarbori. Featuring Michael Avolio, Bill Brekke, Danny Brooks, Don Bruns, Jane Squier Bruns, John Decker, David Dubov, James Flanagan, Steve LaRocque, Stephanie Mumford, Jenn Pommerenke, Amy Rauch, Laura Russell, and Ted Schneider.

--------------------------------------

#4 of 8: 7/10, 12, 26, 31, various FREE Staged Readings. The Theatre Lab, at Theatre J (16th & Q) and National Theatre (13th & PA. Ave.) Free but reservations are requested: www.theatrelab.org or 202-824-0449. http://washingtondcjcc.org/center-for-arts/theater-j/theater-j-on-location/

Part of The Theatre Lab’s Acting in a Professional Production course, which introduces adult acting students to working in a professional setting. Reading with the students: Th.J guest artists Jeff Allin (7/31) and David Raphaely (7/10, 12, 26).

Readings are from the Born Guilty Cycle, a trilogy by ThJ Artistic Director and playwright Ari Roth. Roth has revised three of his scripts for the readings: Giant Shadows, an early family comedy, 1987 winner Helen Eisner Award for Young Playwrights from the Streisand Center for Jewish Culture in Los Angeles; and Born Guilty’s sequel, The Wolf in Peter. The three play series explores the drama of being second generation (born after World War II and now carrying the moral legacy of the Third Reich) in the shadow of the Holocaust with insight and humor.

Directed by ThJ’s Assoc Producer Delia Taylor and Dir of Literary & Public Programming Shirley Serotsky.

GIANT SHADOWS: Sun.7/10 @ 7:30 at ThJ, Tues.7/26 @ 7:00 at National.

BORN GUILTY, and THE WOLF IN PETER: Tues.7/12 @ 7:00 at ThJ, Sun.7/31 @ 3:00 at National

--------------------------------------

#5 of 8: Mon.7/11 @ 7:30, $20 NTLive screening: THE CHERRY ORCHARD, by Anton Chekhov. The National Theatre of London. At Shakespeare Theatre Co. Sidney Harman Hall, F St.@ 6^th NW. www.shakespearetheatre.org.

Film of live stage production. Acclaimed National Theatre Assoc. Dir. Howard Davies' recent productions of Russian plays have earned huge critical acclaim. In this NT production, Zoë Wanamaker stars as Madame Ranevskaya.

--------------------------------------

#6 of 8: Mon.7/11 @ 7:00-10, Free admission. Cash bar/food: Showtunes & Cocktails at the Jefferson. Presented by The Helen Hayes Awards. At The Jefferson Hotel Quill Bar, 1200 16th NW (@ M). www.helenhayes.org.

Monthly gathering. Shed your inhibitions, connect with your inner diva

and belt out show tunes with other theatre lovers, bandleader / pianist Glenn Pearson, and special guests from Washington stages. Bar menu, appetizers & specialty drink menu available for purchase. 20% of proceeds support the year-round audience building efforts of the Helen Hayes Awards. Discounted parking available.

--------------------------------------

#7 of 8: Mon.7/11 @ 7:00, FREE Film: Rodgers & Hammerstein's Oklahoma! At Southwest Neighborhood Library, 900 Wesley Pl, SW. 1955 film starring Gordon MacRae, Shirley Jones and Rod Steiger. http://www.dclibrary.org/southwest?utm_source=wordfly&utm_medium=email&utm_campaign=A-List7.6.11

--------------------------------------

#8 of 8: Wed/Thur.7/13+14 @ 8:00. FREE Hip-Hop Theater: SEED, by Radha Blank. At Arena Stage Kogod Cradle. Presented w the Hip-Hop Theater Festival. Free, but reservations encouraged. http://www.hhtf.org/

Burnt-out social worker Anne Colleen Simpson decides to write a book detailing the child welfare case that brought her acclaim. But when Chee-Chee, a gifted ten-year-old from the “projects” collides into her life, she must confront the shadows of her past. Examines class and cultural fault lines in one of New York’s most prominent black communities.

# # #

____________________________________________________________________________________________

Karen's FYI:TheatreOpps Beginning TONIGHT (posted 7/1/11)

Greetings, all. As the Source Festival wraps up this weekend, CAPITAL FRINGE FESTIVAL fires its opening salvo tonight with a free evening of preview snippets by app. 30 of the presenters. This will be the final year Fringe will play at this location, so indulge your nostalgia for these hot/sweaty/storm-drenched facilities while you can. TAKE METRO!!! Many clubs/restaurants share the area, plus parking restrictions are strictly enforced. Purchase tix & buttons for full shows there (or on-line). Note that Fringe is again operating the FREE STORE as a community service. [Item below]

Studio announced that VENUS IN FUR will play through July 24 (and was seeking ushers), but its lovely HISTORY OF KISSES closes Sun. Consider the space-available passes offered for KISSES tonight, or try asking for them for Sat/Sun. Phone 202-332-3300

Families visiting this weekend? Treat them to our award winning children’s theatres: CHARLOTTE’S WEB Adventure Theatre, 7300 MacArthur Blvd, Glen Echo, MD 20812 http://adventuretheatre.org/08nowshowing/nowshowing.html. And THE WIND IN THE WILLOWS.www.imaginationstage.org. Bethesda, 301-280-1660. Or the family-friendly historical ONE DESTINY. Ford’s Theatre, 10^th @ E NW. http://www.ticketmaster.com/promo/v6mjs7 through tomorrow Ages 8+

If you missed Forum’s terrific BOBRAUSCHENBERGAMERICA, view the WAPAVA DVD free when final processing has been completed. Meanwhile, check www.wapava.org for other local shows to view.

Remember: Most theatres want/need volunteer ushers, who see the show free. Check their websites.

CLOSING THIS WEEKEND Check websites & discounters for deals:

OPUS – to 7/3. www.olneytheatre.org.

NIGHT AND DAY in rep w TENNESSEE CONTINUUM – to 7/3. Washington Shakespeare Co. (WSC) at Artisphere’s Black Box Theatre, 1101 Wilson Blvd, Arlington, VA 22209 http://www.washingtonshakespeare.org/showinfo.html

OLD TIMES – to 7/3. Shakespeare Theatre Co's Lansburgh Theatre. 450 7th St. NW. (202) 547-1122. http://www.washingtoncitypaper.com/articles/40909/follies-and-old-times-reviewed-the-perils-of-the-past/ http://www.washingtonpost.com/lifestyle/style/shakespeare-theatres-old-times-maintains-pinters-exquisite-tension/2011/05/27/AGrTKxCH_story.html

DON QUIXOTE - 7/3. Synetic Theatre

THE HISTORY OF KISSES – 7/3 http://www.studiotheatre.org/

ONE DESTINY– 7/2. Ford’s Theatre, 10^th St. @ E, NW. http://www.ticketmaster.com/promo/v6mjs7.

SOURCE FESTIVAL – to 7/3. At Source, 1835 14^th NW (@ T). www.sourcedc.org/sourcefestival/index.html

BOOTYCANDY – 7/3 http://www.woollymammoth.net

PURGE - to 7/3. Scena Theatre at H Street Playhouse

IMPORTANT NOTE – This column is purposefully separated into two distinct sections. (A.) This above-the-line intro section contains my editorial opinion, background info, etc. (B.) Below-the-line NUMBERED section consists of LISTINGS ONLY. The info is obtained from other sources, and does not necessarily reflect my opinion. BEING LISTED below does NOT imply endorsement. Just listing what’s out there, for you to explore ... or not.

Happy theatre-ing. Karen Shod

--- --- --- --- --- --- --- --- --- --- --- ---

#1 of 2: TONIGHT, Fri.7/1 @ 7:00-10:00. Free Cap Fringe Festival Preview Night. At The Baldacchino Gypsy Tent Bar, Fort Fringe, 607 New York Ave., NW. METRO: Mt. Vernon Square or Gallery Place. www.capitalfringe.org

Learn more about this year’s 18-day (July 7-24), city-wide live performance event. View snippets of 30 of the over 100 productions. Inexpensive way to connect with experimental, adventurous theatrical productions -- and with their actors and audiences.

At the Baldacchino Gypsy Tent Bar, purchase food and drinks (including cold beer & Prosecco) while enjoying entertainment and catching the latest buzz.

Again this year we are pleased to offer to the community THE FREE STORE where -- you guessed it -- everything is free, as part of our commitment to promoting recycling and reuse. So this community project is funded 100% by the people, for the people. Bring clothes, books and music you CAN'T use to The Free Store, and take any clothes, books and music that you CAN use. Check your closets, check your bookshelves, check your garage. The Free Store can only happen with your donations, so we need your help! We are accepting clothing, books and music at this time. All clothing must be washed and in fair condition. From July 7th to 24th at The Apothecary (a Fringe venue at 1013 7th NW, Tues-Fri: 5-8, Sat 1-8, Sun. 1-5. But BRING DONATIONS to Fort Fringe, 607 New York Ave. To schedule a drop-off time, please email coordinator@capitalfringe.org

--------------------------------------

#2 of 2: Fri/Sat. 7/1+2 @ 8:00, $12/10 sr,stu.: VERONICA’S ROOM, by Ira Levin. Rude Mechanicals SECOND STAGE, at Bonifant Theater Space, 949 Bonifant St., Silver Spring, MD 20910. http://rudemechanicals.com/ Some adult content. May not be suitable for children.

A young couple is enticed to the Brabissant mansion by its lonely caretakers. Struck by the young woman's strong resemblance to Veronica, long-dead daughter of the family for whom they work, the caretakers gradually induce her to impersonate Veronica to solace the only living Brabissant, her addled sister who believes Veronica alive. Adult in nature, but not "adult," dark psychological thriller of mind bending revelations, shocks, and surprises. Elise Berg, Director.

# # #

____________________________________________________________________________________________

The Kennedy Center is now offering a very limited number of $15 tickets for all

Reduced Shakespeare Company Completely Hollywood (abridged)

performances in its final weekend, Friday through Sunday, July 1st - July 3rd. Tickets are regularly as much as $49

You can click the link below and your discount will appear automatically. If you call or stop by the Box Office for the discount, be sure to mention Offer Number "63340." http://tinyurl.com/64jpsd2

About the Program: Just when you thought it was safe to go back in the theater... It's the Greatest Hollywood Blockbuster Never Made! The "Bad Boys of Abridgment" are back with Completely Hollywood (abridged), reducing 187 movies in 100 minutes, and condensing every cliché from every movie ever made (plus a few new ones they just made up) into an evening of "stellar shtick" (Chicago Tribune). The madness! The method! The images! The implants! Armed with the theory that every Hollywood movie is just a combination of two old movies, the Reduced Shakespeare Company unleashes such unlikely mash-ups as Kevin Bacon teaching a disabled writer how to dance in My Left Footloose, Jessica Tandy and Robert DeNiro in the feel-good movie of the year Taxi Driving Miss Daisy, Rosie O'Donnell starring in the new musical My Big Fat Fair Lady, and Akira Kurosawa directing Disney's next hit Snow White and the Seven Samurai. It all culminates in the summer's biggest blockbuster with no stars, no budget, and no popcorn--but plenty of laughs! RUNNING TIME: Approx. 2 hours

************************************************************

TO RECEIVE YOUR DISCOUNT BY PHONE OR IN PERSON AT THE BOX OFFICE, MENTION OFFER NUMBER "63340"

(202) 467-4600 | Toll-free (800) 444-1324 TTY (202) 416-8524 | Groups (202)416-8400

See you at the Kennedy Center! *Offer subject to availability. Not valid in combination with any other offer or on previously purchased tickets. Offer may be withdrawn at any time without notice.

_______________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________________

The Studio Theatre

is offering complimentary-space-available tickets:

Tuesday, June 28 at 7:30pm

and

Wednesday, June 29 at 7:30pm

DCdigest Pick: “I highly recommend HISTORY OF KISSES, for which Studio is offering complimentary passes. [Details below]. A gentle, insightful, amusing, engaging, thoroughly charming evening." --Karen (Donna's note: I agree completely and add my recommendation to Karen's.)

The History of Kisses

A World Premiere

Written, Directed and Performed by David Cale

“…The History of Kisses plays out on a lonely stretch of unkempt sand, punctuated by an easel and a concertina lying on a rock…Between rock and easel stands a wooden lifeguard chair, which is apt because the play’s hesitant, self-conscious protagonists are all in some way in need of rescue. That goes for the central character, James, an amused and bemused writer who’s attempting to knock out a story collection from temporary headquarters in a motel (he’s staying in the room adjoining Robert Grundy’s). Inspired and distracted by chanteys, memories and the amorous exploits of Craig, the Australian surfer at the motel’s front desk, James finds himself caught up in an unanticipated personal adventure.”

–Celia Wren, The Washington Post

Cale’s character, Grundy, is the gem of The History of Kisses. Cale slips easily from one character to the next. He’s a storyteller first, & a performer second. There are moments of keen insight and emotional uplift here, especially for the middle-aged contingent who assume that their best kisses are behind them."

--John Barry, MD Theatre Guide

Reservations required.

To reserve tickets, please call The Studio Theatre Box Office

at 202.332.3300

Limit 2 per person.

__._,_.___

______________________________________________________________________________________________________________________

Karen's FYI:TheatreOpps Beginning TONIGHT (posted 6/24/11)

Greetings, all. Only 3 remaining perfs of Forum’s extraordinary BOBRAUSCHENBERGAMERICA before it closes this SAT. Get 2-fer tix Sat. mat. One of the most creative – and joyful -- shows I’ve seen in a very long time. The pure joy of creativity in both script and production are exhilarating. Don’t expect linear storytelling. Think of it as “a day in the life of ...” Sort of “Our Town” on “uppers.” City Paper got it right: http://www.washingtoncitypaper.com/articles/40969/bobrauschenbergamerica-at-forum-theatre-reviewed-bits-of-discarded-americana-in/.

Final perf this Sun. mat. of Spooky Action Theater’s EINSTEIN’S DREAMS is the only one w seats still available. This Wash.Post Recommended show is otherwise sold out. Tix just $10-15.

More space-available passes beginning tonight to Studio’s charming, lyrical THE HISTORY OF KISSES. Waaay better than its description might indicate. Note that space-available passes are NOT actual tix. Your seating is NOT guaranteed. At curtain time, any remaining seats unsold at that time will be given to pass holders. But with so many passes offered, your chances are probably very good.

Oh to be young again. For $20 on Thur. 6/30 those up to age 35 can get STC’s MERCHANT OF VENICE and free beer & bling.

More opps below. And more this weekend that I lack time to include. I’ll do my best to post those tonight. Apologies to those not included here.

If you’ve seen all these, consider Studio’s VENUS IN FUR and STC’s OLD TIMES, both of which close next weekend, and I highly recommend, though I have no special offers for them. But Studio was seeking ushers for VENUS.

Tix on sale now for CAPITAL FRINGE FESTIVAL July 7-24, with lots of special pre-fest bargains and activities. [Item below]. Get your $7 Fringe Button now (required for entry to Fringe shows) and take advantage of all kinds of bonus discounts now and later (plays & other things) www.capitalfringe.org. PLUS job opps abound, from carpenters to box office and much more: http://www.capfringe.org/opportunities.html.

Remember: Most theatres want/need volunteer ushers, who see the show free. Check their websites.

Final reminder: Memorial honoring Gary Maker tomorrow Sat.6/25 @ 3, Washington Ethical Society, 7750 Sixteenth St.NW, just S. of Silver Spring.

CLOSING THIS WEEKEND Check websites & discounters for deals:

BOBRAUSCHENBERGAMERICA – to Sat. 6/25 eve. www.forumtheatredc.org at Round House Silver Spring, 8641 Colesville Road (next to AFI Th., 2 bl from SS Metro). ½ pr.Sat.mat.

EINSTEIN’S DREAM – to Sun.6/26. Fri/Sat sold out. Sun.@2 still available. At 16th & S NW. www.spookyaction.org

JACK AND THE BEAN-STALK – to Sun. 6/26 @ noon. WWW.1STSTAGETYSONS.ORG.

GALA Hispanic Theatre: Canto al Perú Negro / Celebrating Afro Peru.

ONE DESTINY– 7/2. Ford’s Theatre, 10^th St. @ E, NW. http://www.ticketmaster.com/promo/v6mjs7.

CLOSING WEEKEND ending July 3:

OPUS – to 7/3. www.olneytheatre.org.

PURGE - to 7/3. Scena Theatre at H Street Playhouse

NIGHT AND DAY in rep w TENNESSEE CONTINUUM – to 7/3. Washington Shakespeare Co. (WSC) at Artisphere’s Black Box Theatre, 1101 Wilson Blvd, Arlington, VA 22209http://www.washingtonshakespeare.org/showinfo.html

OLD TIMES – to 7/3. Shakespeare Theatre Co's Lansburgh Theatre. 450 7th St. NW. (202) 547-1122. http://www.washingtoncitypaper.com/articles/40909/follies-and-old-times-reviewed-the-perils-of-the-past/ http://www.washingtonpost.com/lifestyle/style/shakespeare-theatres-old-times-maintains-pinters-exquisite-tension/2011/05/27/AGrTKxCH_story.html

SOURCE FESTIVAL – to 7/3. At Source, 1835 14^th NW (@ T). www.sourcedc.org/sourcefestival/index.html

IMPORTANT NOTE – This column is purposefully separated into two distinct sections. (A.) This above-the-line intro section contains my editorial opinion, background info, etc. (B.) Below-the-line NUMBERED section consists of LISTINGS ONLY. The info is obtained from other sources, and does not necessarily reflect my opinion. BEING LISTED below does NOT imply endorsement. Just listing what’s out there, for you to explore ... or not.

Happy theatre-ing. Karen Shod

--- --- --- --- --- --- --- --- --- --- --- ---

#1 of 8: Fri/Sat.6/24+25 @ 7:30, & Sat/Sun.6/25+26 @ 2:30, Comp space-available passes: THE HISTORY OF KISSES, writ, dir, performed by David Cale. At Studio Theatre, 14^th & P NW DC. Reservations required. b.o. 202.332.3300. Limit 2pp. www.studiotheatre.org.

World Premiere. “… plays out on a lonely stretch of unkempt sand, punctuated by an easel and a concertina lying on a rock…Between rock and easel stands a wooden lifeguard chair, which is apt because the play’s hesitant, self-conscious protagonists are all in some way in need of rescue. That goes for the central character, James, an amused and bemused writer who’s attempting to knock out a story collection from temporary headquarters in a motel. Inspired and distracted by chanteys, memories and the amorous exploits of Craig, the Australian surfer at the motel’s front desk, James finds himself caught up in an unanticipated personal adventure.” –Celia Wren, The Washington Post

"Cale slips easily from one character to the next. He’s a storyteller first... There are moments of keen insight and emotional uplift here, especially for the middle-aged contingent who assume that their best kisses are behind them." -John Barry, MD Theatre Guide

--------------------------------------

#2 of 8: Sat.6/25 @ 2:00 [2^nd last perf], 2-for-1 tix via email. [reg. $15-25]: BOBRAUSCHENBERGAMERICA, by Charles L. Mee. Forum Theatre at Round House Silver Spring, 8641 Colesville Road (next to AFI Th., 2 bl from SS Metro) www.forumtheatredc.org. 2-for-1 tix for 2:00 mat: Email tickets@forumtheatredc.org with subject line: 2-for-1. Reg. tix for final 8:00 perf:: http://purchase.tickets.com/buy/TicketPurchase?organ_val=3663&event_val=FOR3&schedule=list. Closes Sat.6/25.

A wild and whimsical road trip through America. Inspired by painter and pop artist Robert Rauschenberg, bobrauschenbergamerica is a vivid collage of love stories, business schemes, backyard barbecues, singing, dancing, and chicken jokes. Derek Goldman directs Joe Brack, Chelsey Christensen, Michael Dove, Maboud Ebrahimzadeh, Julie Garner, Annie Houston, Kailei Isaac, Augie Praley, Aaron Reeder, and Cliff Williams.

--------------------------------------

#3 of 8: Final perf. Sun.6/26 @ 2:00, $15; $10 Srs, students & actors incl. members of Actor's Equity, Actor's Center, or actor training programs having ID card. [Check availability.]: EINSTEIN’S DREAM, by Alan Lightman. Co-production of Spooky Action Theatre and Burning Coal Theatre of Raleigh, NC. At SAT’s new theater in Universalist National Memorial Church, 1810 16th St NW DC; enter at rear of building via S St. www.spookyaction.org. [NOTE: Fri/Sat sold out]

A patent clerk in Switzerland, twenty six-year old Albert Einstein dreams possible theories of Time. Characters, real and imagined, swirl around him reshaping his life and his dreams through movement, light and sound. Relativity in action gives birth to a new Theory. And a transforming vision of life.

Adapted by Kipp Erante Cheng. Rebecca Holderness directs Elver Ariza-Silva, Frank Britton, Jonathan Fitts, Connor Hogan, Hilary Kacser, Lisa Lias, Whitney Madren, Beckett Martin, Madeline Muravchik, Adam Segaller, Sarah Thomas, Jade Wheeler and Wendy Wilmer

--------------------------------------

#4 of 8: Opening w pajama party tonight, $17: CHARLOTTE’S WEB Adventure Theatre, 7300 MacArthur Blvd, Glen Echo, MD 20812 click here. http://adventuretheatre.org/08nowshowing/nowshowing.html

E. B. White's popular tale of love and devotion takes theatergoers to Zuckerman's Farm, where delightful runt pig Wilbur appears headed for the dinner table -- as main course, not as guest. Yet he is saved by the remarkably crafty spider, Charlotte, and the whole town begins talking about it. Some pig!

Based on the book by E.B. White and adapted by Joseph Robinette. Directed by Serge Seiden.

--------------------------------------

#5 of 8: Opening weekend Fri-Sun.6/24-26, ½ price w Code [reg.$10-22]: THE WIND IN THE WILLOWS. Imagination Stage. Bethesda. ½ price w Code FORD’S for perf. through 6/26. www.imaginationstage.org or 301-280-1660. Subject to availability, not valid with other offers or previous purchases Runs to 8/14. Ages 4+/

Musical event faithful to the classic, enchanting novel by Kenneth Grahame. Adapted by Richard Hellesen, music / lyrics by Michael Silversher, directed by Janet Stanford. Go on a wild ride with Mr. Toad! It's early in the twentieth century, and Mr. Toad embraces the motor car with reckless abandon. Can friends Mole, Ratty and Mr. Badger save him from himself? In a musical adventure with police chases, prison breaks and bandits, Mr. Toad learns the true meaning of friendship.

--------------------------------------

#6 of 8: Continuing to 7/2, $10.25 incl.fees: ONE DESTINY. Ford’s Theatre, 10^th St. @ E, NW. http://www.ticketmaster.com/promo/v6mjs7. 6/14 – 7/2, Tues-Sat. Ages 8+

Insider’s look into the Lincoln assassination. Richard Hellesen’s 35-minute play captures the emotions of that fateful night in 1865. Learn about Lincoln’s assassination from two men who were there. Michael Bunce and Stephen F. Schmidt portray actor Harry Hawk and Ford’s Theatre co-owner Harry Ford as they reconstruct the sequence of events and grapple with the question: Could John Wilkes Booth have been stopped? “History buffs and novices alike will find humor and enlightenment in the dialogue.” –Wash. Post. See what audiences are saying. Read more.

--------------------------------------

#7 of 8: Every Sat. @ 2:00 mat, PWYC: NIGHT AND DAY, by Tom Stoppard, in repertory with TENNESSEE CONTINUUM, 2 one-acts by Tennessee Williams. Washington Shakespeare Co. (WSC), at Artisphere’s Black Box Theatre, 1101 Wilson Blvd, Arlington, VA 22209 [previously The Newseum in Rosslyn]. In repertory through July 3. Schedule: http://www.washingtonshakespeare.org/showinfo.html. Descriptions/tix: http://tickets.artisphere.com/eventperformances.asp?MV=6/12/2011&evt=32&c=

NIGHT AND DAY: rarely mounted 1978 play looks at a British newspaper strike through the prism of journalists covering a civil war in Africa.

TENNESSEE CONTINUUM: double-bill of infrequently performed one-acts. Portrait of a Madonna: early, poignant sketch of the character who would become Blanche DuBois. The Gnädiges Fräulein: heartbreakingly yet hilarious ode to the indomitability of the human spirit.

--------------------------------------

#8 of 8: Buy now for Thur.6/30 @ 8:00 + happy hr @ 6. $20 if age 35 or under w Code. Young Prose [sic] Night: THE MERCHANT OF VENICE, by Wm. Shakespeare. Shakespeare Theatre Co. at The Harman Center, F St. @ 6th NW. Plus On Tap-sponsored happy hour @ 6pm in The Forum [downstairs]. Your ticket includes a bottle of Peroni Italian beer, plus a preview of next season and giveaways. http://www.shakespearetheatre.org/plays/details.aspx?id=8936&source=t&tix=1&promo=PROSE or 202-547-1122, Code: PROSE. [NOTE: Your ID will be checked when you retrieve tix @ will call. And again to claim your Peroni.]

Shakespeare's controversial courtroom drama about power and revenge, justice and mercy, love and prejudice. Modern twist on old classic, set against gritty backdrop of 1920s Lower East Side NYC reminds us that even five hundred years later, a book can be judged by its cover, everything's for sale and mo' money causes mo' problems. BUY TICKETS!

# # #

____________________________________________________________________________________________________________________________

LAST CHANCE...

Only 4 more chances to see Charles L. Mee's BOBRAUSCHENBERGAMERICA

Thursday, June 23rd at 8pm

Friday, June 24th at 8pm

Saturday, June 25th at 2pm and 8pm

"Generosity and surprise abound, but director Derek Goldman has tapped deep wells of melancholy and insight too [...] It's the most athletic offering we've seen yet from Forum."

- Washington City Paper

--------------------------------------

#4 of 6: June 10 – July 3: SOURCE FESTIVAL. At Source, 1835 14^th NW (@ T). 25 new works: Eighteen 10-Minute Plays, three Full-Length Plays and four Artistic Blind Dates. Talent Show July 1. www.sourcedc.org/sourcefestival/index.html

--------------------------------------

#5 of 6: Sat.6/11 @ 5:00, FREE Classics in Context. The Forum in Shakes. Theatre’s Sidney Harman Hall, F St. @ 6th NW. http://www.shakespearetheatre.org/events/details.aspx?id=273 .

Explore Harold Pinter's Old Times through our FREE discussion series. Seating is first come, first served. To create a new approach to dialogue and an innovative method of exchange, we have invited some of the city’s leading players in the arts and political spectrum to respond to the work created onstage at the Shakespeare Theatre Company. Classics in Context fulfills the audience’s desire for discussion with a new perspective and a new approach toward criticism. Led by Director of Education Samantha Wyer, the panels will consist of three to four guests—sometimes regular and sometimes specific to the production—reacting to the work of the company in a roundtable format with our audience.

--------------------------------------

#6 of 6: 6/11-19, Cheap tix: 2nd Annual DC BLACK THEATRE FESTIVAL. 52 events, various locations. [NOTE: They “renamed” venues for black notables.] http://dcblacktheatrefestival.com/welcome.htm. Sat.6/11 Opening Gala. Full length, one-acts, gospel, poetry, free new play readings, workshops, comedy acts:http://www.eventbrite.com/org/534311179?s=3630309. Volunteers wanted: http://dcblacktheatrefestival.com/get_involved.htm

# # #

_____________________________________________________________________________________________________________________________________________

____________________________________________________________________________________________

Pay-what-you-can preview of “Opus”

On Tuesday, June 7 at 7:30 p.m., the Olney Theatre Center will provide a pay-what-you-can preview of Michael Hollinger’s play “Opus”, with tickets available in the Mainstage lobby starting at 6:30.

In “Opus”, after firing one of their founding members due to his erratic behavior, a world-class string quartet takes a chance on a gifted, but inexperienced, young woman. With only a few days to rehearse a grueling Beethoven masterpiece, the four struggle to prepare their highest-profile performance ever: a televised ceremony at the White House. Their rehearsal rooms become pressure cookers as passions rise, personalities clash, & the players confront the ephemeral nature of their life's work. The New York Times called “Opus” “absorbing” & praised its “nuanced intelligence.”

Olney will present “Opus” on its Mainstage, 2001 Olney-Sandy Spring Road (MD-108, between New Hampshire & Georgia Avenues). For other tickets ($26-54, with discounts for groups, seniors, military, & students), call (301) 924-3400 or go to www.olneytheatre.org

(d) Thur/Fri.6/2+3 @ 8:00, BOBRAUSCHENBERGAMERICA (Forum Th., Round House SS). PWYC tickets available 1 hr pre-show at Silver Spring box office. Exact cash only, 2/ person. Reg. $25-15. http://www.roundhousetheatre.org/performance/bobrauschenbergamerica/

SOLD OUT (according to newsletter, but phone b.o. 240.644.1387): Tonight’s $10 Tuesday tix for age up to 30yrs: AMADEUS, Round House Theatre Bethesda. www.roundhousetheatre.org. Reg. price tix ($50) still available as of this writing.

EXTENDED to June 12: FARRAGUT NORTH, Olney Theatre AMADEUS, Round House Theatre Bethesda. CYRANO, Folger Theatre.

Happy theatre-ing. Karen Shod

# # #

____________________________________________________________________________________________

Go See "Follies"

by Larry Lesser

May 23, 2011

Today the top reviewers of the Washington Post and the New York Times

each have big articles about the Kennedy Center's $7.3 million

production of Stephen Sondheim and James Goldman's "Follies." The

Times's Ben Brantley refers to the play as "one of the greatest

musicals ever written." Peter Marks also treats the play with great

respect -- he calls it a "landmark"— but generally keeps his praise

within bounds, and finds plenty in the production to criticize.

I'm one of those theatre-goers who thinks "Follies" is great beyond

measure. I think Sondheim is the Mozart of our time – and why

shouldn't our time have a creative artist as great as Mozart? Or

Shakespeare?

The first reason is the music. There are 22 musical numbers in the

play. That's a lot more than almost any other Broadway musical. The

songs fall into two big categories. The Follies numbers – only one to

each solo performer – are brilliant recreations of the musical styles

of the period between the world wars, and earlier. (Except that

Sondheim's songs are better than the ones that inspired them.) Several

of the songs are absolute show-stoppers: "Who's That Woman" with the

chorus line energy of the aging hoofers backed up by their younger

selves; "Broadway Baby" ("Hey Mr. Producer/ I'm talkin' to you, sir.");

"I'm Still Here" sung by a survivor of hard times ("I've been through

Herbert and J. Edgar Hoover/ That was fun and a half/ When you've been

through Herbert and J. Edgar Hoover/ Anything else is a laugh.");

"You're Gonna Love Tomorrow" sung as a counterpoint quartet by the

young versions of the two central couples.

The other song category is the songs by those four central characters

who have come to this reunion of Follies performers thirty years later

and discover the unhappy truth about where their lives have taken them.

You get the transcendently bitter song "How Could I Leave You?" sung

by Phyllis, wife of the famous Benjamin Stone. You get the

quintessential torch song "Losing My Mind" sung by Sally, who never got

over her love for Ben even after all these years. You get the

brilliant clownish song "Buddy's Blues" by Sally's husband. And

finally you get the glib and ultimately heartbreaking song "Live,

Laugh, Love" by Ben to finish things off. The songs range from pretty

to gorgeous and from plain to complex and from solos to production

numbers.

And what about the lyrics? All I can say is they're the smartest and

most penetrating lyrics I've ever heard. Roscoe sings in the

introductory number "Beautiful Girls" about "Beauty celestial/ The best

you'll/ Agree." Phyllis sings of making "Dinner for ten/ Elderly men/

From the U.N." And Ben sings "The Ben you'll never be/ Who remembers

him?" The songs are internally coherent and they lead somewhere; they

tell a story. There are no throwaways. They are as brilliant as

Shakespeare's speeches.

James Goldman's book is much less important, especially since so much

character development occurs in the songs. Best to limit our remarks

to saying the book is appropriate to the task at hand; it doesn't

intrude.

So finally we come to evaluate the Kennedy Center production… And you

know what: I'm not going to say much about it. It isn't perfect. A

couple of musical numbers are over-produced. A couple of the featured

actress-singers give less-than-great performances (but you know, maybe

that's not such a bad idea: they're aging divas who've been away from

the stage for 30 years or more: interesting to think that they can't

all deliver the goods like they used to). The costumes are

spectacular. The sets are lavish for the climactic "Loveland"

sequence. The choreography is delightful and plentiful and varied.

The 28-piece orchestra is put through its paces and comes through

brilliantly.

I say go see it. From my perspective you're making a pilgrimage to a

holy place – not God knows because it's uplifting or because it unlocks

the secrets of the good life but because it's a work of the highest

creative genius and it receives in this production, directed by Eric

Schaeffer, its full measure of appreciation.

_,_._,___

_________________________________________________________________________________________________

Constellation Theatre Company presents a FREE Staged Reading

Monday, May 23 at 7:30 pm at Source 1835 14th St. NW

The Comedy of Venice

by John Morogiello

produced by Misty Demory*

directed by Rex Daugherty

ENSEMBLE: Misty Demory*, Keith Irby, Emma Crane Jaster, John Michael MacDonald*, Jesse Terrill*, Doug Wilder

* Member of Actors' Equity Association

Free tickets distributed on a first come, first-served basis. No advance reservations. Box office opens at 7 pm.

________________________________________________________________________________________________

Tuesday, May 24, at 7:30 pm, The Alliance for New Music-Theatre is presenting a free showcase of a new chamber opera at MetroStage.

A WOMAN CHANGED INTO A FOX

is conceived by Susan Galbraith, based on a novella by David Garnet. The music is by Robert B. Johnson and the libretto by Susan Galbraith.

George Fulginiti-Shakar is the music director. www.newmusictheatre.org

Call 703-548-9044 is reserve tickets. Free admission but a small contribution to the Alliance for New Music-Theatre is always appreciated.

MetroStage

1201 N. Royal St.

Alexandria, VA 22314

www.metrostage.org

____________________________________________________________________________________________

Karen's FYI:TheatreOpps FREE TONIGHT (5/16/11)

--------------------------------------

#2 of 2: TONIGHT & Sat.mat. PWYC. Plus more $10 - $60: Amadeus. Round House Theatre Bethesda, 4545 East-West Highway. $10 Tuesday - side orchestra and side balcony seats, Tue., May 31. Special $10/$15 patrons age 30 and under at all other performances - call for info. (Recommended for age 13 and above). Runs Wednesday, May 11 through Sunday,

June 5, click here. http://www.roundhousetheatre.org/tickets/discount-tickets/

When your hard-earned fame has been surpassed by a brilliantly gifted, potty-mouthed golden boy, what else can you do but smile to his face while secretly plotting his downfall? Peter Shaffer's Amadeus, winner of seven Tony Awards - including Best Play, depicts the flamboyant genius of Wolfgang Amadeus Mozart as seen through the eyes of his desperately jealous contemporary, composer Antonio Salieri. The Washington Post hailed this brilliant play as "a rich theatrical experience you're likely to repeat for many a year." Mark Ramont, from Ford's Theatre, directs a towering story of greed, obsession, and guilt set to the glorious music of revenge. Edward Gero returns to our stage as Salieri. "Gripping and fascinating...delicious wit." - Saturday Review.

# # #

____________________________________________________________________________________________

5-11-11 More Pay-What-You-Can Previews

African Continuum Theatre Co

PWYC performance of Blues for an Alabama Sky Thurs. May 12 at 8pm at The Atlas, 1333 H Street, NE.